Andrea Kirsh visits David Novros’ mural Untitled (1970) at the Judd Foundation, 101 Spring Street, New York.

Kirsh writes: "In the late-afternoon light from the huge windows adjacent to and opposite the mural, the colors were mesmerizing. Novros’ composition of abstract forms and intervals has both a sensuality and deeply personal quality that goes far beyond any associations one might have for hard-edged, geometric abstraction… There is no question that the extremely sensitive placement of artwork, which Novros favors and Judd championed in his properties in New York and Marfa, provides the ideal viewing."