Carl Belz writes about the drawings of Dozier Bell.
Belz notes that "Bell’s drawings–they’re all charcoal on mylar–are noticeably and resolutely small, on average between three and five inches on a side, small enough to hold in the palm of your hand, like a postcard, or a cell phone, or an iPod, or, even when framed, something still easily handled, like an iPad. All of which means size is purposefully a function of their content, as it’s been from time to time in art in the past. As it was, for instance, with the Abstract Expressionists who regularly produced oversized paintings, not first of all to express the might of American painting, a plausible suggestion, but to achieve intimacy–to physically engulf us in their worlds and thereby enable us to become one with them. Dozier Bell too seeks intimacy, but hers accrues to our holding close her miniature landscapes, rubbing our nose in them, not to control what we see, a possible but vainglorious fantasy, but better to absorb their content and to gain thereby a fuller understanding of nature’s scope and bounty."