Alexander Nemser writes an appreciation of Jon Imber's recent paintings on the occasion of the exhibition Palaemon, A Survey of Paintings by Jon Imber, on view at the Godwin-Ternbach Museum, Queens College, New York through June 15, 2013.
Nemser writes: "In the last ten years, Jon Imber’s paintings have taken on a new dynamism, a freshness, and a remarkable proliferation of color. To see paintings like Lantern in the Snow, Stonington Harbor, and Spring Totems together is to witness the thrill of a master rising to a challenge, letting it open and change him. These paintings display the selflessness of mastery: the cultivated willingness to step out of the way and hold an image as it develops, joyfully and calmly… One secret is the clarity and crispness of sight. The paintings are rooted in earth and shell from Imber’s long apprenticeship to the Stonington shore, but infused with the singular vibrancy of his viewpoint. The whorls, shards, and petals are wilder than ever, the colors in shocking relation, but the sight is tightened, reined in, and the paintings are grounded in utterly faithful revelations of the truth of his eye."