Paul Behnke visits the studio of painter Melissa Dunn.

In addition to posting extensive photos, Behnke writes: "Dunn's abstracted compositions have their origin in drawings and collages based on a wide range of source material. Yet once the paintings, proper, have begun, a reliable intuition comes to fore. At this point, Dunn alternates between that intuition and practiced, organized, formal decisions. The result is real painting that springs from seeds sown alongside Whitman's grass with all the intellect and romance that would imply."