Bradley Rubenstein writes about Mira Schor: Death is a Conceptual Artist at Lyles & King, New York, on view through April 24, 2016.
Rubenstein observes: "The depiction of power, though its presence is immaterial, has been a source of fascination for painters since, well, there has been painting. Michalangelo, David, Rembrandt, Benglis, Golub, Kruger, and Longo come to mind. Schor plays with the relationship of the figure, immense and monolithic, against the ground, delicate and ephemeral. … Like Picasso, in his last self-portrait (Self-Portrait Facing Death, 1972), Schor gives us a schematic depiction of time at work. The Mangaaka figures which were the catalyst for this group may have had talismatic properties for their creators, but for the contemporary artist, Schor seems to ask, does art still have that power? Schor’s drawings are meditations on time and aging, and on the power of art to transform and transcend the temporal."