David Carbone makes a connection between a recent experience viewing paintings by Andrew Forge (at Betty Cuningham Gallery) and past experiences listening to compositions by Morton Feldman.

Carbone concludes: "Both Feldman’s and Forge’s works achieve lucid-dream states. In my experience, it was the especially large scale, whether spatial or durational, that produced profoundly transporting totalities. The disquieting mood for Feldman had 'to do with instrumental images,' whereas the indistinct inner worlds in Forge rely on the diffusion of color into unnamable but apprehensible feeling."