Christopher Volpe writes about the paintings of Wolf Kahn.

Volpe notes: "That Kahn’s work is 'pleasing' (he’s likely the most popular colorist in America) belies its unsentimental formalism. In fact, his fields of blazing color are deeply nuanced and almost as a rule moderated by subtle countering complexities applied in complements, neutrals and composite grays. As his friend Louis Finkelstein described it, abstract 'vectors and color tensions' in Kahn’s paintings 'elicit alternative readings.'"