Noah Dillon interviews artist Robert Janitz about his work. Janitz' show Stick Shift Heaven was recently on view at Team Gallery, New York.
Janitz comments: "I’m still tackling how to deal with paint. For some of the earlier works I was using a blowtorch to blister the paint layers or scraping layers off. It was an aging process that takes the work a little bit out of my hands or out of a painted universe. The ones I’m making now, their translucent waxiness starts becoming opaque during the first couple of days. The rest comes in very slow. That slow solidification is archaeological in a way… The marks function in a way that local colors interact and force themselves. It’s all very toned down, but it comes to the forefront. Their thickness and texture appear like casts. They’re archaeological things. It looks like they’re carved out, rather than building from the inside out. In a way, that silly, stupid vertical gesture becomes ancient."