Braithwaite begins: "You smell the paintings in the back of your throat and try to take shallow breaths. The three 16-foot-tall oils strive upwards to the ideal of unsullied negative space. On average, the paintings weigh half a ton. The canvas at the top of the frames is stretched gale-taught. At the bottom, the weight of the paint has distended the surface to a slack edema. And while the triptych has the undeniable outline of a 山 (shan), the simplified character for mountain, the artist insists that it be displayed 3-2-1, with the peak still centered and the slopes switched. This choice, coupled with a palate of broad swathes of green littered with more muted industrial hues, evokes the cities surrounding the Yangtze that were abandoned and submerged during the earth-moving Three Gorges Dam project."
Image coming soon.