The Nation
Barry Schwabsky investigates connections between the portrait paintings of Alberto Giacometti and those of Alice Neel. Schwabsky observes: "Although Neel and Giacometti both emerged from a left that was aligned with communism, neither one produced anything in a social-realist vein. It would also be wrong to see their insistence on portraiture as an acceptance of
Arteidolia
Randee Silv explores the influence of Alice Neel's politics on her work on the occasion of the exhibition Alice Neel, Uptown, curated by Hilton Als, at David Zwirner Gallery, New York, on view through April 22, 2017. Silv begins: "I immediately found myself in a crossfire of conversations. Ricocheting. Intimate. Political. Some might’ve known each
Hamptons Art Hub
Peter Malone reviews Alice Neel, Uptown, curated by Hilton Als, at David Zwirner Gallery, New York, on view through April 22, 2017. Malone writes: "One of the gems in the show is a canvas titled, Two Puerto Rican Boys, 1956. It depicts a pair of kids looking up at the painter while sharing a chair
Artnet News
Christian Viveros-Fauné reviews Alice Neel, Uptown, curated by Hilton Als, at David Zwirner Gallery, New York, on view through April 22, 2017. Viveros-Fauné writes: "An argument can be made that Neel reserved her best, most perceptive nose for difference for her less known sitters... These pictures and others are not only unmarred by agendas of
Brooklyn Rail
Hilton Als writes about painter Alice Neel. Alice Neel, Uptown, curated by Hilton Als, will be on view at David Zwirner Gallery, New York from February 23, - April 22, 2017. Als observes: "I am certain that Alice Neel, more than many an American artist, had a deep understanding of affliction. She did not use
New York Review of Books
Claire Messud reviews the new catalogue Alice Neel: Painter of Modern Life (Mercatorfonds/Yale University Press). The exhibition will be on view at Gemeentemuseum Den Haag, Netherlands from November 5, 2016 - February 12, 2017. Messud concludes: "This exhilarating compendium of Neel’s oeuvre is remarkably cohesive, in spite of the diversity of Neel’s images and subjects,