Christian Bonnefoi

Christian Bonnefoi: Taking the Painter Out of Painting

Gwenaël Kerlidou writes about the work of Christian Bonnefoi. Kerlidou writes: “Bonnefoi’s strategies seem to condense a few aspects of the work of his American contemporaries: the objectification and theatricalization of a gesture devoid of pathos of David Reed; the deconstructing strategies of Jonathan Lasker — even if Lasker’s use of exaggeratedly thick brushstrokes seems […]