Apollo Magazine
Gabriel Coxhead interviews artist and poet Etel Adnan whose work is on view at the Zentrum Paul Klee, Bern, through October 7, 2018. Adnan remarks: "If I were just a painter, maybe my work would have been different, more encompassing. But my writing is rather pessimistic, because of the angle of history I got involved
The Guardian
Laura Cumming reviews Surface Work, a comprehensive survey of abstract painting by female artists, at Victoria Miro Mayfair (through June 16) and Victoria Miro Wharf Road (through May 19), London. Cumming writes that the show "is nothing less than an anthology of abstract painting spanning an entire century, from early constructivism to post-digital sampling, in
Flash Art
Martha Kirszenbaum reviews a recent exhibition of works by Etel Adnan at the Institut du Monde Arabe, Paris. Kirszenbaum concludes: "Throughout this intimate retrospective, Adnan’s voice, both feminist and pacifist, reveals itself through her interwoven influences, languages and techniques. She observes her itinerancy, from Smyrna to Beirut, and from Sausalito to Paris, with a generous
Art in America
Elizabeth Fullerton reviews the recent exhibition Etal Adnan: The Weight of the World at the Serpentine Gallery, London. Fullerton writes: "Nature and war thread like twin strands through the multifaceted practice of this artist, who is also a poet, writer, and activist ... while her vibrant visual output is largely inspired by nature, much of
Hyperallergic
Maria Howard reviews Etal Adnan: The Weight of the World at the Serpentine Gallery, London, on view through September 11, 2016. Howard writes: "[Adnan's] paintings evoke sheer joy, their style unpretentious, not naive but innocent, at odds with her poetry and writings that bear witness to the violence of the world. They may seem like