Beyond their doubts, Siciliano’s paintings esteem the powerful legacy of Italian figurative art and its place in contemporary art.
John Mitchell talks to Sedrick Huckaby about paintings in progress during a recent residency at the Elaine de Kooning House in East Hampton, New York.
The magical display of rendering form from flatness underlines the primary power of all painting.
Antrese Wood talks to painter Susan Lichtman about her work. Discussing how she constructs a painting, Lichtman remarks: “The idea is that I’m trying … to eventually make a space where your eyes move from one thing and to another and to another, the way they do when you look through a space. You don’t […]
Jenny Uglow reviews All Too Human: Bacon, Freud, and a Century of Painting Life at the Tate Britain through August 27, 2018. Uglow begins: “The gripping and dramatic show … merits its title: it is ‘all too human’ in the tender, painful works that form its core. But ‘a century of painting life’ promises something wider—does it smack […]
Julia Felsenthal writes about painter Jane Freilicher. A show of Jane Freilicher’s work, ’50s New York, is on view at Paul Kasmin Gallery, New York, through June 9, 2018. Felsenthal notes that Freilicher was “committed … to rooting her practice in the everyday … Domestic spaces were her creative fodder; domestication was not (‘she had […]
James Kalm visits Paris/New York/Nexus at Steven Harvey Fine Art Projects, New York, on view through April 15, 2018. The show features works by Balthus, Leland Bell, Anne Harvey, Jean Helion, Louisa Matthiasdottir, Bob Thompson, and Robert De Niro Sr. Kalm notes: “This presentation focuses on a select group of figurative artists who formed connections […]
John Mitchell interviews painter Alix Bailey. An exhibition of recent paintings by Bailey is on view at The Painting Center, New York, through February 24, 2018. Bailey comments: “Right now I’m painting mostly larger longer-term paintings of the whole figure and I’m changing the way that I work. I’ve become increasingly interested in finding a […]
John Mitchell interviews painter Heather Morgan on the occasion of her exhibition Heavenly Creatures at David & Schweitzer Contemporary, Bushwick, Brooklyn, on view through January 28th, 2018. Morgan comments: “The figures I paint today still tend to be eccentric, fringe of society characters, larger than life… I get excited by raw displays of emotion, the […]
Anna McNay interviews painter Alex Katz whose work is on view at Timothy Taylor Gallery, London through November 18, 2017. Katz remarks: “Everything is moving. There’s no reality, it’s moving. Reality is subject to fashion and so you get something where there’s no past tense, there’s no future tense, there’s only now. And I want […]
Roman Kalinovski reviews Rachel Rickert: The Ins and Outs at E.TAY Gallery, New York, on view through October 7, 2017. Kalinovski writes: “The strange pleasure that comes from visual frustration is a recurring theme in this exhibition. While Soft Boundaries and Verge present its two extremes with the curtain drawn and closed, respectively, and the […]
Zachary Keeting and Christopher Joy interview painter Aubrey Levinthal at her exhibition at Nancy Margolis Gallery, New York, on view through October 14, 2017. Levinthal remarks: “I like paintings … that when you look at first, it’s inviting, it feels good to look … but then there’s something to hold you into the painting … […]
Daniel Maidman observes the topic of contemporary figure painting through the work of three painters: Yedidya Hershberg, Eric Fischl, and Heather Morgan. Maidman begins: “The field [of figurative painting] is enormous and shows almost no conceptual or procedural unity. One’s only hope, in approaching the topic overall, is to build up a mosaic of specifics, […]
John Goodrich reviews Janice Nowinski: Paintings at John Davis Gallery, Hudson, New York, on view through June 18, 2017. Goodrich writes: “In her third show at John Davis Gallery, Nowinski continues to combine a distinctly ‘low,’ unpolished approach with high ambitions for painting. The artist’s fairly conventional motifs — figures posed in landscapes and interiors […]
Christophe Loizillon documents painter Eugène Leroy at his home and studio. The film is shot in the same chiaroscuro lighting characteristic of Leroy’s paintings.
For more than 50 years, Bellany has remained committed to painting the human condition in an era dominated by formalist abstraction, minimalism, installtion, and performance art.