Florine Stettheimer

Blog post featuring Linda Nochlin's 1980 article re-published on the occasion of Florine Stettheimer: Painting Poetry, on view at The Jewish Museum, New York, through September 24, 2017. Nochlin writes: "... one might well raise some questions about conventional notions of an art of social concern itself, especially as these have recently been articulated in

James Kalm visits Florine Stettheimer: Painting Poetry at the Jewish Museum, New York, on view through September 4, 2017. Kalm notes: "Through her involvement in the art world Stettheimer came in contact with the most advanced members of the avant-garde who had flocked to New York, like Marcel Duchamp and Francis Picabia. Not having to

Barbara Bloemink considers painter Florine Stettheimer's important, but often overlooked, contributions as a feminist. Bloemink writes: "Stettheimer never painted 'fantasies' — her works are all based on factual, thoroughly researched details — and her style and subject matter were carefully chosen. She prophetically chose to portray unique subjects, including race, sexual orientation, gender, and religion,

One of a group of bloggers posting in support of the Detroit Institute of Arts collection, Andrew Russeth writes about Florine Stettheimer's Love Flight of a Pink Candy Heart (1930). Russeth comments: "the more time you spend with [Stettheimer's paintings], the stranger and more interesting they get. You notice odd messages and codes that she