Robert Ryman

Joseph Nechvatal reviews Robert Ryman: The Act of Looking at the Musée de l’Orangerie, Paris. Nechvatal observes: "The piece with oil on aluminum panel and four bolts called Accord (1985) I think is the best in the show, because the rolled or sprayed ‘pure’ opticality of the white surface (leitmotif of the Ryman style) on

Michael Rutherford posts a 2010 video interview with Robert Ryman at the Phillips Collection. Ryman discusses his works on view at the museum noting: "I don't abstract from anything... I am involved with real space... real light, and real surface."