Brett Baker — Page 3

Carrie Moyer describes her process, which begins with small black and white collages, and discusses her influences - including Miro's The Farm (1921–1922) and paintings by Christian Schad and Alexej von Jawlensky.

An interview accompanying an exhibition of new paintings by Halsey Hathaway at Rawson Projects, Brooklyn, New York.

The graphic monumentality of Al Held's Alphabet Paintings comes from vigorously painted architectonic arrangements of letterforms painted on near-mural scale canvases.

Alan Uglow’s abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.

A new exhibition sheds new light on a pioneering abstract painter and one of the most enigmatic artists of the 20th century.

Trent Miller's presents his highly-complex and personal vision through paintings and drawings in which the observed world and that of the imagination harmoniously coexist.

Jay DeFeo: A Retrospective San Francisco Museum of Modern Art November 3, 2012 – June 9, 2013 Whitney Museum of American Art February 28 - June 2, 2013 Jay DeFeo's reputation as an imporatant painter was established before the eight year period (1958-1966) in which she poured her entire vision and energy into a single

Painters' Table readers are invited to an exhibition of my new paintings at the Elizabeth Harris Gallery, New York.

Christophe Loizillon documents painter Eugène Leroy at his home and studio. The film is shot in the same chiaroscuro lighting characteristic of Leroy's paintings.

Catherine Murphy comments on her desire to make paintings that function simultaneously as abstraction and representation.

For more than 50 years, Bellany has remained committed to painting the human condition in an era dominated by formalist abstraction, minimalism, installtion, and performance art.

In works rich in both allusion and painterly craft, McCann merges careful observation, popular culture, and an encyclopedic knowledge of the tradition of painting.

In a recent interview with The Guardian's Charlotte Higgins, painter Bridget Riley discussed "movement, shimmering, sparkling and reflecting … all those things that happen in landscape" as the inspiration for her abstract paintings. In the two videos below, Riley elaborates on the influence of landscape from an early age, and the visual power found in

An extended look into the artist’s studio, viewers see Ayres at work and hear her thoughts on painting.

Per Kirkeby speaks to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.

Best known as the author of the seminal book The Art of Drawing, Chaet influenced thousands of artists as a teacher and a painter.

A new show “presents both broad and dynamic depictions of landscape revealed as motif."

As our ability to sense individual moments is being destroyed, George Hofmann paints what amounts to a collection of instants.

While nearly every other aspect of abstract painting has been exhaustively investigated and re-imagined, examples of focusing the field to a small scale have been isolated and few.

A short film by Bill Haynes documents painter Nick Miller's mobile studio.