Christopher Joy

Articles

Jack Youngerman: Studio Visit

Gorky's Granddaughter

Zachary Keeting and Christopher Joy visit the studio of artist Jack Youngerman. Youngerman discusses both his recent paintings and his sculptures.

Gaby Collins-Fernandez: Studio Visit

Gorky's Granddaughter

Zachary Keeting and Christopher Joy visit the studio of painter Gaby Collins-Fernandez. "For me the idea of having competing realms of visuality is really interesting. So, what is the spatial expectation of a painting? What is the spatial expectation of something which reads as something that lives in digital space? ... What is the expectation

Judith Linhares: Studio Visit

Gorky's Granddaughter

Christopher Joy and Zachary Keeting visit the studio of painter Judith Linhares. Linhares remarks: "I think of myself as a populist and I love the idea of communicating with a lot of people through images... I am interested in the figures ... representing more than a portrait ... something that stands for a group."

Clarity Haynes: Studio Visit

Gorky's Granddaughter

Zachary Keeting and Christopher Joy visit the studio of painter Clarity Haynes. Haynes remarks: "Realism with a captial 'R' in many ways I do think is inherently political because it isn't taking us away from the world as we know it, it's forcing us to look at it."

Judith Simonian: Studio Visit

Gorky's Granddaughter

Christopher Joy and Zachary Keeting visit the studio of painter Judith Simonian. Simonian comments: "I don't try to make stories ... I welcome any stories, any interpretations that come into it, but it's not my job to tell a story... I feel sometimes like I'm really enjoying pretending I'm an abstract artist ... but then

Daniel John Gadd: Studio Visit

Gorky's Granddaughter

Zachary Keeting and Christopher Joy visit the studio of Daniel John Gadd whose exhibition For The Moon is on view at David&Schweitzer Contemporary, through November 13th, 2016.

Jane Fine: Studio Visit

Gorky's Granddaughter

Zachary Keeting and Christopher Joy interview artist Jane Fine. Fine remarks: "You don't have to spend the same amount of time on every part of the painting... you can have a very large area [of the painting] that takes you two seconds and a small little thing that you spend eighteen hours on."