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Recently Featured Posts from this Blog

  • Amy Sillman, Untitled (Logs), 2018 (Photo: John Berens; courtesy the artist and Gladstone Gallery, New York & Brussels)

    Amy Sillman: Interview

  • Etel Adnan, Untitled, 2012 (Private collection. Courtesy Sfeir-Semley Gallery, Hamburg/Beirut; © Etel Adnan)

    Etel Adnan: Interview

  • Peter Lanyon, Saracinesco, 1961 (© Lanyon Estate/Modern Art Press 2018)

    Peter Lanyon: Total Immersion in Landscape

  • R.H. Quaytman, Morning, Chapter 30, 2016 (courtesy of the artist, Miguel Abreu Gallery, New York and Galerie Buchholz Berlin/Cologne/New York)

    R.H. Quaytman: Interview

  • (detail) Bartolomé Esteban Murillo, Self-Portrait, c. 1650–55 (© The Frick Collection)

    Murillo: The Self-Portraits @ the Frick

  • Paul Cézanne, Madame Cézanne in a Red Armchair, c. 1877, oil on canvas, 28 1/2 x 22 inches (Museum of Fine Arts Boston)

    Cézanne’s Radical Portraiture

  • Wayne Thiebaud, Two Paint Cans, 1987 (courtesy of White Cube, © Wayne Thiebaud/DACS, London/VAGA, New York 2017)

    Wayne Thiebaud: Interview

  • (detail) Giovanni da Rimini, Scenes from the Lives of the Virgin and other Saints, c. 1300-05, (courtesy of the National Gallery, London)

    Giovanni da Rimini @ the National Gallery, London

  • (detail) Margaret Clarke, Self-portrait, 1914 (© Artist’s Estate photo © National Gallery of Ireland, photo by Roy Hewson)

    Margaret Clarke @ the National Gallery of Ireland

  • Frank Bowling, Grating Rhymes, 1975 (courtesy of the artist and Hales Gallery, London and New York, © Frank Bowling)

    Frank Bowling: Interview

  • Milton Avery, Excursion on the Thames, 1953 (courtesy of Victoria Miro Gallery)

    Milton Avery's Unique American Modernism

  • Markus Lüpertz, Donuald Ducks Hochzeit (Donald Duck’s Wedding), 1963 (courtesy of the Hall Art Foundation/© the artist)

    Markus Lüpertz: Interview

  • (detail)  Raphael, Hercules overpowering the Nemean lion, c. 1507–08, (Ashmolean Museum, Oxford)

    Raphael: The Drawings @ the Ashmolean Museum

  • Camille Pissarro, Quai de la Bourse, Rouen, soleil couchantQuai de la Bourse, Rouen, soleil couchant, 1898 (National Museum Wales, Cardiff)

    Camille Pissarro: The First of the Impressionists

  • Marisa Merz, Untitled, 1984 (Private collection, photo: Andrea Rossetti, courtesy Galleria Monica de Cardenas)

    Marisa Merz @ the Met Breuer

  • Howard Hodgkin, Small Japanese Screen or The Japanese Screen, 1962–63 (© Howard Hodgkin)

    Beyond the Surface: Howard Hodgkin (1932–2017)

  • Antoni Tàpies, Matèria sinuosa, 2010 (© Comissió Tàpies/VEGAP, Courtesy of Timothy Taylor)

    Antoni Tàpies: Revulsion and Desire

  • David Hockney, Portrait of an Artist (Pool With Two Figures), 1972 (photo: Art Gallery of New South Wales/Jenni Carter; © David Hockney)

    David Hockney: Pool Paintings

  • Paul Nash, Landscape of the Moon’s Last Phase, 1944, oil on canvas (Walker Art Gallery (Liverpool) Paul Nash © ate)

    Paul Nash’s Commitment to the English Landscape

  • (detail) Fra Bartolommeo, Study for the face of a young woman (in the Madonna della Misericordia) c. 1515 (Museum Boijmans Van Beuningen, Rotterdam)

    Fra Bartolommeo's Divine Draughtsmanship

  • (detail) Winifred Nicholson, First Prismatic, 1976 (© The Trustees of the Estate of Winifred Nicholson)

    Winifred Nicholson & the Pleasures of Colour

  • Pierre-Auguste Renoir, Aline Renoir Nursing her Baby, 1915 (Kunstmuseum Bern)

    Renoir @ the Museo Thyssen-Bornemisza

  • (detail) Théodore Rousseau, Mont Blanc Seen from La Faucille, Storm Effect, begun 1834 (Ny Carlsberg Glyptotek, Copenhagen)

    Théodore Rousseau: Unruly Nature

  • Charles François Daubigny, Sunset near Villerville, c. 1876 (The Mesdag Collection, The Hague)

    Daubigny: Inspiring Impressionism

  • Christopher Wood, Self-portrait, 1927 (Kettle’s Yard, University of Cambridge)

    Poetry, Painting and the World of Christopher Wood

  • (detail) Bhupen Khakhar, Death in the Family, 1977 (Victoria and Albert Museum © The Estate of Bhupen Khakhar)

    Bhupen Khakhar @ Tate Modern

  • William Merritt Chase, Portrait of Dora Wheeler, 1882–83 (The Cleveland Museum o

    William Merritt Chase: A Modern Master

  • Hilma af Klint, Group IX/SUW, No. 17. The Swan, No. 17 (courtesy of Stiftelsen H

    Hilma af Klint: Category Error

  • (detail) Hieronymus Bosch, Christ Mocked (The Crowning with Thorns), c. 1510 (Na

    Who Was Hieronymus Bosch?

  • (detail) Francisco de Goya, The Duchess of Alba, 1797 (© Courtesy of The Hispani

    Goya: The Portraits

  • Adriaen van der Spelt, Trompe-l’Oeil Still Life with a Flower Garland and a Curt

    Drawing the Curtain

  • (detail) Luc Tuymans, Still Life, 2002 (courtesy of the artist)

    Luc Tuymans: A Necessary Realism

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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