Landscape Painting — Page 3

Larry Groff interviews painter Grant Drumheller whose work will be on view at the Prince Street Gallery, New York from December 1 - 29, 2016. Drumheller remarks: "The notion of making a painting is the farthest thing from my mind. I want a painting experience! Even when I am painting a small image, the beginning

Jennifer Landes reviews Fairfield Porter: Things as They Are at Tibor de Nagy Gallery, New York, on view through December 10, 2016. Landes notes: "Porter’s subjects are quotidian, even banal. [Karen] Wilkin says [in her catalogue essay] that in that way he was a 20th-century Vermeer: 'He could make nothing in particular seem as if

Laura Gascoigne reviews Théodore Rousseau: Unruly Nature at the Ny Carlsberg Glyptotek, Copenhagen, on view through January 8, 2017. Gascoigne begins "The CVs of great artists are seldom studded with successes, and sometimes their failures are more consequential. If the young Théodore Rousseau had won the Prix de Rome in 1829, he would have travelled

Addison Parks writes about the work of painter Lois Dodd. Parks observes: "It is a little like Giorgio Morandi. Through World Wars and revolutions we got still-lifes of jars and bottles and glasses, maybe some flowers, maybe a shift in palette. Something that didn't change in a changing world. The same could be said of

Inigo Thomas reconsiders J.M.W. Turner’s Rain, Steam and Speed: The Great Western Railway (1844). Thomas asks: "chasing after hares is as old as any ancient rite, but who or what is hunting the hare in Turner’s painting? Is it just a train, and how familiar, really, is that location? You can shut down the iconographical

John Goodrich reviews a recent exhibition of works by Hearne Pardee at Bowery Gallery, New York. Goodrich writes: "When artists share their process, they usually call our attention to particularly evocative materials and techniques. Pardee, however, focuses on a different kind of process, one that’s arguably even more fundamental to visual experience: the challenges of

Larry Groff interviews painter Ying Li on the occasion of her exhibition Geographies at Haverford College, on view through October 7, 2016. Li comments: "I think these two are really one thing; they’re so tied together, looking out and then looking in on the canvas. I try to make that switch as short as possible

John Walker's recent paintings, on view at Alexandre Gallery, continue to revitalize abstraction through intense, prolonged immersion in nature.

Stephanie Pierce's paintings evoke a sense of place that extends beyond the visual.

Ying Li's recent paintings, on view at the College of Staten Island, fuse natural phenomena and the act of painting.

Cezanne himself was right in maintaining, “We are all derived from Pissarro.”

In a new video by John Thornton Ying Li discusses her approach to painting.

The general neglect of de Staël is a missed opportunity for American painters.

A new show “presents both broad and dynamic depictions of landscape revealed as motif."

A short film by Bill Haynes documents painter Nick Miller's mobile studio.