Abstraction
The Democracy of Touches: A New Reading of Richard Pousette-Dart
Brooklyn Rail
Phong Bui reflects on two exhibitions: Richard Pousette-Dart: The Centennial at Pace Gallery (closed) and Altered States: The Etchings of Richard Pousette-Dart at Del Deo & Barzune, on view through December 16, 2016. Bui writes: “In confronting such an overwhelmingly tactile yet optical experience, I’ve come to realize the impulse to build up surfaces corresponds […]
Laurie Fendrich @ Louis Stern Fine Arts
Artillery
Suzanne Muchnic profiles painter Laurie Fendrich on the occasion of Fendrich’s exhibition at Louis Stern Fine Arts, on view through December 3, 2016. Muchnic writes: “Beyond their fine craftsmanship and comic edge, Fendrich’s spirited abstractions and [Jane ]Austen’s captivating stories may appear to have little in common. But as critic Mark W. Stevens has noted, […]
Frank Avray Wilson @ Whitford Fine Art
AbCrit
Nick Moore reviews a recent exhibition of paintings by Frank Avray Wilson at Whitford Fine Art, London. Moore writes: “The first thing one is aware of walking into a room full of Avray Wilson’s paintings is the vibrant colour; vibrant in that it appears to be alive and pulsing, even glowing, bringing to mind stained […]
Laura Owens @ Sadie Coles
Studio International
Cassie Davies reviews works by Laura Owens at Sadie Coles, London, on view through December 16, 2016. Davies writes: “Much of the artist’s work comes from experimenting and, as this show reveals, the results are unpredictable. While some of Owens’s paintings have familiar links, for the most part, each work stands out as an individual, […]
Valerie Jaudon @ Von Lintel Gallery
Art Ltd
Peter Frank reviews the recent exhibition Valerie Jaudon: Ways And Means at Von Lintel Gallery, Los Angeles. Frank writes: “Jaudon has consistently relied on a simple compositional formula based entirely on line. Indeed, her painting starkly betrays P&D’s minimalist roots in the movement’s original strategy, you might say, of overcoming Minimalism’s clarity and obduracy by […]
Mary Jones: Interview
artcritical
Brenda Zlamany interviews painter Mary Jones whose exhibition Proxima b is on view at John Molloy Gallery, New York, through November 26, 2016. Jones comments: “When I use a roller it has a motion and a weight that’s specific to the tool, and an extension of my body. I want it to be physical. It’s […]
Dannielle Tegeder: Interview
Brooklyn Rail
Sarah Goffstein interviews painter Dannielle Tegeder whose installation, Infrastructure, is on view at the Montclair Art Museum through June 30, 2017. Tegeder remarks: “It’s a really interesting question as to whether abstract painting can still have that political impulse and impact. Even though my work embodies ephemeral spaces, I think it also talks about borders […]
Helen Lundeberg: Classic Attitude
The Paris Review Daily
Dan Piepenbring highlights the exhibition Helen Lundeberg: Classic Attitude at Cristin Tierney Gallery, New York, on view through December 17, 2016. Piepenbring writes: “Lundeberg, who died in 1999, was a pivotal figure in the West Coast abstract circle. ‘By classicism I mean, not traditionalism of any sort, but a highly conscious concern with aesthetic structure,” she […]
Brenda Goodman @ Jeff Bailey Gallery
Hyperallergic
John Yau reviews an exhibition of works by Brenda Goodman at Jeff Bailey Gallery, Hudson, New York, on view through December 18, 2016. Yau concludes: “One of the beauties of Goodman’s painting is its refusal to settle for the immediately legible. By making work that can be read as either abstract or figurative, she invites viewers […]
Etal Adnan: The Weight of the World
Art in America
Elizabeth Fullerton reviews the recent exhibition Etal Adnan: The Weight of the World at the Serpentine Gallery, London. Fullerton writes: “Nature and war thread like twin strands through the multifaceted practice of this artist, who is also a poet, writer, and activist … while her vibrant visual output is largely inspired by nature, much of […]
John Zinsser: Studio visit
Two Coats of Paint
Sharon Butler visits the studio of painter John Zinsser. Zinsser’s work is currently on view in The Humanism of Abstraction at the Dedalus Foundation. The show, which also includes work by David Reed and Carrie Moyer, is on view through November 17, 2016. Butler observes: “Playfulness and improvisation, then, are parts of [Zinsser’s] process but […]
Daniel John Gadd: Studio Visit
Gorky's Granddaughter
Zachary Keeting and Christopher Joy visit the studio of Daniel John Gadd whose exhibition For The Moon is on view at David&Schweitzer Contemporary, through November 13th, 2016.
McArthur Binion @ Kavi Gupta
New City Art
Elizabeth Lalley reviews McArthur Binion: Seasons at Kavi Gupta Gallery, Chicago, on view through November 22, 2016. Lalley writes: “In ‘Seasons,’ Binion’s layered marks form a series of grids. The physicality and repetition of the artist’s cross-hatching process results in pieces that are deceptively uniform from a distance, but upon closer inspection, are filled with […]
Barbara Rose on Painting After Postmodernism
The Art Newspaper
An excerpt from Barbara Rose’s catalog essay for the exhibition Painting After Postmodernism: Belgium / USA, on view through November 16 at Vanderborght and Cinéma Galeries/the Underground, Brussels. The show features works by Mil Ceulemans, Joris Ghekiere, Bernard Gilbert, Marc Maet, Werner Mannaers, Xavier Noiret-Thomé, Bart Vandevijvere, Jan Vanriet, Walter Darby Bannard, Karen Gunderson, Martin […]
Paul Feiler @ Jessica Carlisle
Studio International
Angeria Rigamonti di Cutó reviews works by Paul Feiler recently on view at Jessica Carlisle Gallery, London. Rigamonti Di Cutó writes: “As with other artists working in a constructivist-concrete vein, Feiler’s arrangements of rational, geometric forms yield curiously otherworldly sensations and suggest the tension between what the eye perceives and the brain imagines.”
Walter Darby Bannard: Modernism isn’t a style … it’s a working attitude
artcritical
Franklin Einspruch remembers painter Walter Darby Bannard (1934 – 2016) and considers Bannard’s recent paintings as the culmination of a lifelong exploration of abstraction: “Modernism isn’t a style, [Bannard] insisted, it’s a working attitude oriented toward visual excellence. ‘Modernism is aspiring, authoritarian, hierarchical, self-critical, exclusive, vertically structured, and aims for the best,’ he wrote in 1984. But […]
Agnes Martin: A Resolutely Solitary Endeavor
Two Coats of Paint
Sharon Butler blogs about the Agnes Martin retrospective at the Guggenheim Museum, New York, on view through January 11, 2017. Butler writes: “Martin’s austere paintings, with neutral palette and delicate line, are beautifully installed in the Guggenheim’s warm white ramp. Unlike other artists, Martin didn’t find her voice until she was well past forty and […]
Jan Maarten Voskuil: Interview
Visual Discrepancies
Brent Hallard interviews Jan Maarten Voskuil. Hallard opens the discussion noting that Voskuil’s works are: “Deceptively simple, singularly shaped and formed, canvases bloom from the wall each in a different color. Hung together they suggest a word, a string of them, arranged to convey the written form, though any attempt to decipher or push this […]
Leslie Roberts: FYEO @ Minus Space
James Kalm Report
James Kalm visits the exhibition Leslie Roberts: FYEO at Minus Space, New York, and talks with the artist about her work. The show is on view through October 29, 2016. Kalm notes: “Making works on panel created through a process of textual coding and graphic design, Roberts has created one of the most inventive and […]
Sean Scully @ Mnuchin
artcritical
David Rhodes reviews Sean Scully: The Eighties recently on view at Mnuchin Gallery, New York. Rhodes writes: “Longing, melancholy and urgency all prevail in these paintings. This denies a place for complacency and evinces a drive and focus that both address art-historical connections, and the contemporary world vis-à-vis the particularity of Scully’s own experience, be it emotional […]