Dana Gordon argues pursuasively for a re-evaluation of Camille Pissarro, a painter whose acute interest in the abstract nature of painting was never achieved at the expense of “tremendous depth... fullness, warmth, and solidity.”
Matthew Ballou, writing about the exhibition, Certain Densities, argues that "a perceptual approach to painting is not synonymous with rote observation."
William Corbett celebrates the painterly freedom found in the work of Jon Imber, now on view in a retrospective exhibition at the Godwin-Ternbach Museum, Queens College, New York.
A new book, published by Soberscove Press, unearths a key primary source and shines a new light on some of the most iconic artists of the New York School.
[VIDEO] Painter Carrie Moyer, whose work is currently on view at the Tang Museum, discusses her process, early influences, and how she arrived at her current body of work.
An interview with Halsey Hathaway, conducted by Rawson Projects on the occasion of an exhibition of new paintings, on view at the gallery from April 6 – May 19, 2013.
Al Held discusses putting the subject back into abstract painting in his "Alphabet" paintings which use letterforms to create a visual, graphic monumentality.
